Being
Peace...
(Published at www.commondreams.org on January
26, 2004)
For the past seven days, I have been sitting for
upwards of an hour or two in front of an
altar for a dead soldier, in Times Square, in the middle of "the beating
heart of skyscraper
America" as Lawrence Ferlinghetti might call it. Today is the midpoint
of this ongoing
window installation, "Send A Salami To Your Boy In The Army" which
will be up till
the end of the month.
In this window, passersby encounter an altar in
which a soldier who died in Iraq is
installed, in front of ritual objects, such as a candle, sandalwood & stone,
incense, sage,
etc. On one side is a scoreboard featuring the latest numbers of dead in
Iraq, both
American & Iraqis. On the other side sits an empty frame with a red
fabric hanging out of
it.
Everyday between 5 & 6 PM (and usually longer)
I become a part of the installation,
animating it with my rituals, and mourning, or being still with it in meditation
and
contemplation of the lives lost, and the lives that stay uninformed or
uncaring of the lives
lost in the name of war & terror.
I am not a performance artist, per se, and this
is no performance, either. This exposure to
elements and potentialities comes out of a deep seated need to mark the
dead in a
personal way, and also penetrate through the layers of New York & American
living that
insulates the individual from the realities of war - justified or unjustified.
"Send A Salami To Your Boy In The Army" was
a 'famous' WWII slogan from New
York's Katz Deli that somehow penetrated through my Indian consciousness
when I
realized this project. The main thrust of the project is this:
"For each US soldier dead in the theatre
of war yesterday, a meal is given up by the artist
today. It is proffered here in the altar of the dead soldier in honor of
the soldier as a
human.
You are welcome to take the food for your consumption
if you are hungry.
You are welcome to ritual offer your own meal to honor the dead.
You are invited to take a moment to meditate on
the soldier, or the food, death itself, or
the death of the soldier, or on the faceless people who remain as numbers
in their death,
or merely numbers…"
In offering a meal that otherwise would have become
a part of me, I am able to give a
part of myself, to the wasted lives in the name of freedom & democracy.
Wasted Lives,
because to me, each soldier is a representation of herself as well as that
of the 20 odd
Iraqis who die for each American death. In listing the meal forfeited I
list the ingredients
of the meal I gave up, and the last ingredient in every meal that was given
up, is 20 Iraqis.
And that is why I cannot eat my meal.
In drawing the people's attention to an American
soldier, I have now irrevocably drawn
their attention to the 20 or so Iraqis that die for each American soldier.
It is simple math.
And a very conservative ratio, by all estimates.
I sit there on a window box in 42nd street, crying
quietly for the soldier or with all the gut-
wrenching futility of an Iraqi mother of a tattered young child.
Passersby racing from one end of the window to
another slowly but invariably seem to
come to a grounding halt. I have been so amazed and revitalized by the
willingness of
New Yorkers to stop and pause and stay with me, in the bitter cold that
has been blighting
New York this past week. Friends amongst audiences remark with wonder how
many
people sob with me, or take the time to figure out the tangled connections
that lie existing
amongst the various parts of the installation. Sure enough, one or two
people have tried to
interfere with my meditation, and the minute I open my eyes and I look
at them, give the
attention that they seem to want, their aggression diffuses in the face
of the silent dead
soldier in front of us, and they walk away. This is New York! Anything
could happen in
the 'mean' streets of New York. Could still happen. However, what I have
witnessed so
far is people's willingness to be drawn towards their own humanity and
that of others,
living and dead. It truly gives me hope in humanity, when I see people
stay with me in an
automatic vigil and leave reluctantly after paying their respects.
The warmongers are lying to us repeatedly in their
claim that Americans clamor for war
and retribution. We need to counter act the lies at every turn and counter
turn, reiterating
the truth of peace and understanding. We need to act. Act now in ways big
and small, be
our natural selves of peace and understanding.
The militaristic coterie in Washington is stoking
aggression by invoking FEAR. The
opposite of Fear is LOVE. As clichéd as it may sound, we have no
other refuge but in
love, for ourselves, and all fellow beings. That is why I mourn for the
killers and the
killed.
Vennila nr Kain is an actor, poet and yogini.
She may be found at www.vennila.net.